publication

crocuses in sunlight

Is Book 2 easier or harder than Book 1?

In 2013, with The Bone Dragon finally written and edited and proofed and polished and re-polished and re-proofed and then polished some more, I embarked on Book 2.

Everything started beautifully. Next post is all about What Happened Next, but this one is about What Went Right.

So there I was, facing Book 2. Unlike a lot of my debut-writer friends, who were struggling with the pressure of being published, of having a contract and expectations levelled at them from all around, I found I had a newfound sense of confidence and freedom.

For me, having a truly amazing agent and a published first book was a liberation. I knew that from then on if there were problems with one of my books my brilliant agent would help me fix them. She’s a fantastic editor in her own right so if it’s possible to get there with a troublesome book, she’ll help me make it happen.

Also I have a publisher: I have amazing publishing industry people waiting and wanting to read what I am writing.

So all I have to do it write well… which is no small task, but I am a writer after all. It’s kinda the minimum requirement.

How different from Before, when I wasn’t sure that anyone would ever like what I was writing, would ever in a million years agree to publish it, would ever even consider giving me a helping hand to get from Really Quite Good to the magical Publishable level that for so long seemed like it belonged to a different world I’d never find a way to reach. But I did reach it.

That’s what I have now that I didn’t have Before. I know where Alice’s rabbit-hole is. I know where the Narnia wardrobe is. I have my Hogwarts letter.

And, yes, I want my agent to love Book 2. I want my publisher to love it. I want readers to love it. I want everyone to think it’s even better than (or at least as good as) Book 1. Yes, it’s a big ask – writing a good book always is – but is it a bigger ask than Book 1 was? It depends whether you think people having expectations of you as a writer is a bad thing or not.

Yes, there’s a degree of pressure… but either I can write or I can’t. And there’s not point worrying about it: that won’t get me anywhere. The answer is to get on with making it ‘can’, by hook, crook and lots of hard work. I’m a grafter. It’s one of the things I like most about myself. I don’t fuss about whether I’m inherently talented or not – there’s nothing I can do about that. Instead, I try to focus on making the most of whatever talent I have and bridging the gap between that and ‘as good as possible for me’ with the determination to get there: to produce another good book. Somehow. In whatever messy, gruelling way necessary. Maybe some people can just sail through and it comes naturally and beautifully, but I’m not one of them and there’s no point crying about it. My first book proved I could get there. And so I will again if I just keep slogging and dreaming and working…

Eventually I will get there because now I have all the backing a person could ask for. That’s the magic of moving beyond Book 1. You’ve got people’s attention already. That’s so much of the battle. If there’s a problem, at least it’s at a higher level: now problems come in the form of amazing publishing industry people telling me ‘this isn’t going to work’ or ‘let’s think again’. Of course I’d rather have no problems, but when does life work like that? So this type of problem I’ll take – Yes, please and thank you.

At least the problem is no longer a wall of backs turned my way where no one will let me through. Anyone who’s struggled to find their way to publication knows what I mean. That endless bit where you have no idea if anyone will ever turn around to you and say ‘Oh, hello. Would you like to go through to the other side now?’

Claire Wilson, my extraordinary agent, was the person who turned around for me. Who made a gap so I could step through from the world of Writer Hopefuls to the world of Published Writers. And it really has made all the difference.

So bring on Book 2, and Book 3 and all the books after, with however many problems they come with. I’ll still just be so very grateful to be here, working and grafting and, eventually, getting there again.

Advertisements

Reviews, reviews: thank you to all the lovely reviewers!

All traditionally published writers will be more or less familiar with getting ‘feedback’ by the time their book comes out, but reviews are different thing altogether.

Feedback from family, friends, colleagues, friends of friends who are in the book industry, agents, editors, and other people at your publishing house comes in so many different forms that you start to ask yourself ‘how different can a review be?’ The answer is very different, especially in terms of what reviews feel like.

The big difference between a review and feedback is that reviews are generally formal: they look and sound official. Usually, they’re carefully crafted and well-edited. They’re pieces of writing in and of themselves.

Feedback, on the other hand, is often spoken, jotted down or written purely as information. Moreover, feedback is generally geared to unfinished/published work: there’s a sense that the purpose is to inform the writer about your thoughts while there’s still time for this to have an impact. For this reason, feedback given after a book is published usually looks forward to the author’s next book.

The critical thing is that the purpose of written feedback is to communicate with the writer. The purpose of a review is to communicate with the reviewers’ readers. So reviews have a life apart from, though closely connected to, the work they critique. Feedback doesn’t seek to led a separate existence or appeal beyond its usefulness to the book and/or the writer’s other work.

It’s only when I read my first review that I realised how different receiving reviews feels to receiving feedback: how different it is to hear what people think of a book that is done, printed, bound, published and ‘out there’ for strangers to see. It’s certainly more daunting, but with good views there’s enormous confidence to be gained from the fact that they feel permanent because they’re about the finished product. Feedback often feels transient because it relates to a particular incarnation of a work in progress, so it’s harder to decide whether you should store it inside your head to bring out on days when Nothing Works and Everything You Write is Cr*p.

Also, feedback is usually provided by someone with a vested interest in you and/or your work: even freelance editors are not entirely dispassionate, and certainly your agent and editor won’t be. In all three cases, their investment is professional and their feedback is grounded in how they think you book will do: something which will affect their own careers to a degree – at least in as far as their judgement proves correct or incorrect. But reviews are often written by complete strangers. And of course these strangers have their own vested interests in books and literature and all sorts of things – but usually those interests don’t relate directly to the writer. So they feel independent, though they aren’t really any more objective because reviewing is, ultimately, a highly subjective business.

Feedback is invaluable. It’s what makes a writer a better writer. It’s what helps you improve and learn and develop. It’s how you write the best book you can. It’s how you fix problems with a flawed draft that could be a great book. It’s what keeps you going.

But reviews are what you measure your work against. Have I suceeded in writing the book I wanted to write? Did I really communicate the things I wanted to? Have the key issues and questions come across? Has the book worked? Do people like it? Feedback gets you to the point where reviews can give you the answers.

So here, with huge, enormous thanks to the wonderful people who took the time to read my work and write down their thoughts, are the initial reviews for The Bone Dragon. Thank you all ever so much.

Suzi Feay, Financial Times (5th May 2013): “In a beautifully crafted narrative that constantly confounds expectation – her friends are kind, her foster parents are saintly – the final act is anything but comforting. Sometimes anger and vengeance aren’t just understandable but essential tools for survival.”

Michael Codron: “A work of startling imagination, that holds you to the last page.”

Wendy Cooling: “Loved The Bone Dragon, gentle and wonderful and hard to put down.”

Lindsay Foley, Weekend Editor Sugarscape: “Absolutely hypnotic”

Mary Byrne, Hay Festival’s Children’s Programmer: “[Alexia Casale] writes beautifully – a complete pleasure to read”

BookTrust: “There are numerous young adult novels dealing with dark subjects such as bereavement, illness and abuse, but The Bone Dragon stands apart from the crowd. Bold, brave and often unsettling, this tale of a teenage girl profoundly affected by a past that she cannot talk about – even to herself – is also both understated and beautifully-written. As well as dealing with challenging issues, with its positive and thoughtful depiction of adoption and adoptive parents, it is a tribute to unconventional families and friendships of all different kinds. An intriguing blend of psychological thriller and fantasy, this is an impressive and unusual debut.”

Luna at Luna’s Little Library: “The Bone Dragon is wonderful, magical, touching, mysterious, fantastic, unique and so many other words I could use. I love this book. It will be a story that will forever have a special place in my heart. … there is so much about Alexia Casale’s book that is truly outstanding. I feel I should be filling pages of how effective and beautiful her writing is. … Evie is a rare gem in narrator, both lovable and true. … The Bone Dragon is special. Read it.”

The Bone Dragon was also Luna’s Book of the Month #12. And it has lovely mentions on Stacking the Shelves #40 and is on the VIP Bookcase. Luna also talked about The Bone Dragon in her Around the World post at Falling for YA. Luna was the first person to read and comment on The Bone Dragon and has been so amazingly generous in telling people about the book and giving it space on her blog and in guest-posts for other blogs. Thank you *so* much.

Sugarscape: “If you like a book that’ll make you think then The Bone Dragon is definitely one for you. Unsettling and at points uncomfortable, this clever novel gives insight into the bruised mind and makes you ask the question; where does reality end and fantasy begin? … Chilling and utterly hypnotic, this will leave your mouth wide open and every bone in your body tingling as it reaches its chilling conclusion.”

Jake Hope, Lancashire Libraries: “I read it in one sitting and found it utterly captivating and beguiling. The manner in which juxtaposed issues of abuse, neglect against those of family, friendship and belonging were deeply impressive and highly affecting. The dragon which Evie carves with the help of Uncle Ben feels an excellent analogy for the level of meticulous detail and craftsmanship within the story, with its careful interplay between gritty realism and magic.  It feels like a fable for our time, highlighting the way in which our pasts continue to exert influence over our present. I’m going to recommend it to our Virtual Schools team who look after the education of children who are looked after in residential care, a lot of the experiences and feelings that Evie undergoes will resonate particularly with these young people and I think it could definitely help to contextualise their own lives and pasts.”

Katie at Storytellers, Inc.: ” won’t explain how a rib becomes a dragon, or how it opens up the nightscape to Evie, who is so often crippled by pain in the daytime but comforted by the sharp feelings of being alive and awake in a world that should be confined to dreams. The dragon is more important to Evie than it is to her story. And that’s sort of what makes The Bone Dragon that much more interesting that other books that deal with this subject – ‘this subject‘ being domestic abuse – because really we learn very little about what Evie has been through. Casale doesn’t even think about dwelling on the details in that uncomfortable way that those ‘tragic life stories’ so proudly advertise (surely more sick lit than any John Green!). Yes Evie has had a traumatic time but she doesn’t want to talk about it, to her friends or to us, the reader. It’s a brave move that might leave some readers feeling a little (wrongly) mystified; but for me it’s the stand-out feature. Evie is a sweet narrator, honest and endearing and she doesn’t ever really sound like a victim because she’s constantly reminding herself how loved she is now, firmly putting the past behind her and trying not to let it ruin the life in front of her. She’s also wonderfully youthful, which sounds a strange thing to say about a 14 year old and of course may well be a side effect of the abuse she has suffered but she’s in no hurry to grow up and that is so refreshing. … Phee and Lynne have their own serious problems too so it’s unfair to write them off as sideline airheads and Evie wants (needs) their friendship more than she initially realises. Again this is a smart underplaying of a serious topic; Casale’s simple subtlety speaks volumes. Overall, it’s an impress debut and I’m already looking forward to seeing what comes next. For a book so full of ‘issues’ it comes less like a punch in the face and more like a slow creeping presence. The Bone Dragon enters quietly in a dignified puff of dream-like smoke and the gentle pull of his unusual tale might curl around your consciousness for days after you’ve finished reading.”

We Love This Book, review by Tracy Eynon: “This powerful opening scene is the beginning of Evie’s acceptance and understanding of her past. … This book is the debut of an exciting and mature young writer who shows real skill in writing about the little details of life, bringing a realness to her characters and making the situations she writes about so very believable. The Bone Dragon is a story that combines escapism with the acceptance of reality; of coming to terms with the past by embracing the future. Intriguing, compulsive and wholly absorbing, Evie’s tale is beautifully told and is ultimately warm and uplifting. Written by a young writer who has struggled with dyslexia it is also extremely inspiring, and a rewarding read for both young and older adults.”

Laura at Sisterspooky: “I utterly adored this book because it gave me a way of understanding what it’s like to struggle with issues as big as these without ever having experienced them personally.  That’s a real credit to the writing ability of Alexia Cassale.  She’s a hidden gem of writing and I’d be surprised if this book doesn’t get continual praise upon its release date.  It really did break my heart at times seeing Evie struggle so much even after all she’s been through.    The fantasy element really is such a clever way of discuss issues that are so difficult to approach because they are just that awful to even think about.  A truly wonderful book that has the power to make you wish for a bit of magic to exist in the world for those that need it.”

Chrissi Reads: “I was really impressed with The Bone Dragon. It’s such a great debut novel, it felt like Alexia had been an established writer for years. Her story-telling skills are so impressive. I didn’t expect to be moved as much as I was by this story and particularly Evie. The Bone Dragon is a raw and powerful story which for me, could’ve easily been longer and I would’ve still loved it. It’s got a wonderfully magical element which really works. … Alexia Casale has created such a wonderful, interesting character with Evie. She makes the reader really take Evie into their hearts. I’m so surprised at how much I loved Evie. I felt like I knew her. She had that much depth and credit has to be given to Alexia’s talented writing skills because of this! The Bone Dragon is a perfect mix of mystery, magic, pain, loss and truly lovable, relatable, real characters. I wholeheartedly recommend it.”

Betty Maguire at INIS: “The story’s opening, with Evie awakening in hospital after having a section of her ribcage removed, immediately grips the reader and draws them into the plot. Throughout the novel the author makes excellent use of the narrator’s voice, while the other characters are distinctive and realistic. … One of this book’s strong points is that not all of these questions are resolved at the end and the reader is left to ponder and to try and resolve some of those issues … Difficult themes are tackled in this story such as abandonment, abuse, betrayal, bullying and  vengeance, which is skilfully reflected  through occasional references to Hamlet. This is not an easy read, but it is a very worthwhile one.”

Annabelle Hammond at Read, Write and Read Some More: “The Bone Dragon is such a powerful debut novel. …I wasn’t expecting such a raw and powerful story with such a strong main character. Alexia Casale has shown that she is a talented writer who can pack such an emotional punch in her prose. The Bone Dragon left me wanting more, I couldn’t believe when it ended, I wanted the novel to continue so I could learn so much more about Evie. It’s an emotional ride that’s mixed with mystic and magic, set against the vivid backdrop of the fens.  … I am still surprised at the sheer depth to the character and how real she felt. It really feels like I know Evie after reading this book. She is an unforgettable character and one that will stay with me for a while yet. … The Bone Dragon is… There are so many ways I can start this sentence but none of them seem to fully fit the emotion and power this novel has hidden in its pages. You have some incredible characters that are all so realistic, each with their own little flaw.  I particularly liked how Evie could tell by certain things that her adoptive parents were lying. It’s these small details that add to the depth of the storytelling and make it even better. If you’re looking for a promising new writer, then Alexia Casale is the one you want. The Bone Dragon has the correct mix of mystery, pain, adventure, happiness and of course an enchanted dragon. It’s a book that, not only will you enjoy, but it will also stay with you for a long while. So there you have it, I don’t even want to say goodbye but this review is already long. The Bone Dragon is simply a book that you should all read.”

BookBabblers: “The Bone Dragon is an outstanding debut novel by Alexia Casale. It is a dark, magical story about fourteen year old Evie who has to undergo major surgery and have a rib removed. … It is an absorbing plot that blurs reality and fantasy, I was completely hooked. Friendship is also an important aspect of the novel and the relationship between Evie and her two close friends Phee and Lynne is prominent throughout the book. This is a beautifully written book that is full of mystery, suspense, friendship and hope. It is a powerful read that is like a modern day coming of age story. I did not want to put it down and can’t stop thinking about it now that I have finished. I loved the cover of this book, it’s one of my favourite covers of the year so far.”

Children’s book of the week, Dudley News & Worcester News (25th May), review by Lynley Myers: “The Bone Dragon is an enchanting young adult novel steeped in mystery, and will keep young readers guessing until the very end.”

Emily Gale at Readings (Australia): “Evie’s voice convincingly navigates us through both her wisdom and her anguish. At 14, she’s suffered more pain than many of us will in a lifetime, but this is no misery memoir. Through her dream-like visions and the difficult conversations she has with those trying to help her adjust, we learn just enough of her past to understand what she’s up against. However, the focus is on dealing with the present. … While the dragon is a regular fixture, overall the story is fairly light on the magic realism elements, leaving just enough room for the reader to interpret what is happening.”

Editor’s Choice: Trinity Hall College (Cambridge)

Lauren Smith at Violin in a Void [SPOILER ALERT!]: “At first glance, The Bone Dragon looks like a fantasy novel, but in truth it’s more a psychological drama that walks a fine line between fantasy and realism. … It does however, make The Bone Dragon one of the most sophisticated and psychologically compelling YA novels I’ve encountered. As I read, and then as I went through my review notes and re-considered the story, I was increasingly impressed by the psychology of Evie’s character. … I was struck by how dark this novel. It’s not something you notice at first glance. After all, it’s not bleak. Evie is strong, she’s recovering, she’s got a wonderful family. The plot isn’t depressing: there are many happy moments with Evie’s friends and family, we see her work through her problems, and of course she has her magical dragon. And as I mentioned, you don’t relive the abuse with Evie. But there are grim, brutal things that very quietly crawl in under your skin. … Then there’s the ending, which I think would could spark and interesting discussion because that’s where the issue of the dragon’s reality becomes the most important. I think these things creep up on you because it’s not a dramatic book. It just calmly gets on with its very serious, painful and even shocking subject matter, while making room for the positive, heartwarming stuff too. And then it stays with you for a while after you’ve finished. I like Evie more than a lot of YA characters I’ve read, even though she scares me a little. The Bone Dragon is also a more mature and emotionally complex kind of YA than the kind I normally find myself reading, and I appreciate that. Not that I necessarily prefer all my books to be grim, but it’s good to see the genre handling something with such gravity too.”

Catriona Morrison, Waterstones: “An outstanding and heartwrenching adventure What a wonderful, magical and touching book. Evie is a character worth remembering forever.”

Waterstones Picadilly Circus, in-store review: “A magical story about love, friendship and survival. Absolutely Spellbinding..”

Another Waterstones Bookseller review: “How dark is The Bone Dragon?! I was completely taken aback by how well written this is; the descriptions of Evie’s midnight walks with the dragon are stunning. A really unique blend of fairytale and brutal real life. I love that teen fiction is getting a bit more serious”

George Hanratty, Tales on Moon Lane Bookshop: “Alexia Casale’s debut novel is powerful, compelling and moving. I couldn’t put it down.”

Victoria Park Books: “very unpredictable and v edgy. U don’t which way she’ll jump.”

The Bone Dragon selected as one of the top YA reads in May for Mr Ripley’s Enchanted Books Blog

Emma Carroll (author Frost Hollow Hall): “I couldn’t wait to read this book, and it didn’t disappoint. Right from the first page, I knew I was reading something special. The first person narrative powers along, making you feel Evie’s every twinge. Yet don’t be fooled- this is not a straightforward redemption narrative. Evie’s viewpoint is dangerous, often warped by the trauma she’s experienced. At times it’s difficult to trust her; there were moments in this book where I felt genuinely scared for the other characters. The language is poetic, yet for me the most moving parts were where Evie battled to articulate the complexity of what she felt. Oh, and I LOVED the final pages. A very memorable book.”

GoodReads (various), including Karina: “Strange and beautiful and fierce and dark, this is a wonderful twist on the coming of age narrative. Just brilliant – go read it!”

Amazon (various), including Lysistrata [mini SPOILER ALERT]: “This is an astonishing book, life-enhancing and beautifully written, ostensibly for Young Adults but with the power to enchant and move older adults as well. … The nature of the horrors Evie has been through are never spelled out but their consequences are. … It is totally original and does not follow the trend for vampires or dystopias. It is much more frightening. It shows the raw emotional power of a very angry young woman who is right to be angry with a world which has colluded in mistreating her. There is a spectacular and satisfying ending … The psychological depth of the book will intrigue adults; younger readers can revel in the fantasy of owning a Dragon.”

and bookmoviefantatic: “Never judge a book by its cover or title. This is good book but a sad story of a teenager thats suffers horrific abuse.”

The Bone Dragon book cover

Publication Day! Thank you to all the wonderful reviewers…

Today, I am officially a published author. I was expecting it might have sunk in by now, but a year on I’m still astonished from day to day to realise (a) I have an amazing agent, (b) I have a wonderful publisher, and (c) I’m being published. Am published as of today. It’s really quite nice that it won’t sink in because the realisation that it’s not just the latest in a string of daydreams is a lovely surprise each and every day.

And there have been all sorts of lovely surprises, not least that I’ll be speaking at the Hay Festival later this month along with Sally Gardner and Nick Lake. You can find more details about our ‘Happily Ever After?’ event here if you think you might be interested in coming along.

And then there’s the thing I’ve been longing for and dreading… finding out what people think of the book. Thank you so much to everyone who’s bought the book, read it, ordered it, included it in posts and cover reveals, and generally started getting the buzz going.

Luna’s Little Library was my first ever reader to comment. I literally jumped around for a little while being over the moon that my first reader liked the book. She’s also written an absolutely lovely review. Literally the sort of review I’ve dreamed about.

The first review to come out though was actually Annabelle Hammond’s detailed and thoughtful look at the book. It’s been amazing to hear that people are reading my book, but it’s the most wonderful compliment when people take the time not only to review but to review at length.

Katie from Storytellers, Inc.’s wonderful, insightful review picks up on so many of the things that I hoped readers would find in the book. Was so touched by the discussion of how I’ve handled the darker themes in the book: Katie review captures exactly what I was trying to do.

Laura from Sisterspooky’s review made my day by tackling many of the mistaken assumptions readers might make about the book if they only glanced at the blurb. It’s such a great thing for a writer to see reviews that address market forces so that readers can get a true sense of what a book is about.

Finally, INIS magazine have my first trade press review! So exciting to have one out before the official publication date. Now to cross fingers that there are more to come.

I know that everyone gets bad reviews. It’s part of the territory. But it’s so lovely to start with nice ones. Let the bad ones wait as long as possible!

It’s a strange and wonderful thing to read reviews of your work and especially to see the time and care people have put into thinking and writing about your book. I’ve been astonished with how many things these reviews have picked up on that really mattered to me as a writer. I wasn’t sure how much of what I see as the heart of the story would translate to readers. It’s a powerful thing to be told that it has translated: that readers are seeing what I see in the story… or at least partially. Seeing readers’ alternative interpretations of their work drives some writers mad, but mostly I’m curious. The book may be my creation but any reading of it belongs to that reader. I love that about the writing-reading process: there’s a point at which it’s collaboratively creatively, albeit it at a distance.

Thank you so much to the wonderful reviewers who have made my publication week so amazing. I can’t tell you how grateful I am for the care with which you’ve treated my work.

The Bone Dragon front cover

A thing of beauty…

… my first copy of my book!

Faber have done the most amazing job on turning my manuscript into a stunning physical book.

Thank you so much, everyone!

And thank you to my wonderful agent for persuading Faber to publish it!

 

front cover

back of the book

front inside boards

back inside boards

 

snow around a frozen pond in a wood

The definitive proof

On Thursday afternoon, The Bone Dragon is going to be ready for publication. This might seen a long time in advance since it won’t be released until 2 May, but in the interrim it needs to be printed and distributed… and there may even be ARCs going out.

I have now learned that bound review copies are not the same as ARCs (advance review copies). Or not necessarily.  I’m still a bit shaky on the terminology but I think bound review copies and bound proofs are basically the same thing in everyone’s books (or should I say ‘for all books’?). They’re copies of a book that are produced from a relatively early proof. They’re printed and bound  like a book, but usually with a different cover to make sure that they’re not confused with the final publication version when it comes out. ARCs, on the other hand, are just copies of the book-as-published-for-sale (i.e. they’re printed from the final proof). Thething that makes them ARCs is that they’re sent out to people before the official publication date: they’re not actually different in any way from the books people buy off the shelves after the publication date.

So… the bound review copies have now been sent out. I am getting twitchy waiting for mine to arrive.

Meanwhile, the final proof – the definitive version of the book – will be done by next Thursday afternoon. It should include the final version of the cover (which I’ve yet to see). I’m just slightly excited*, though I know hitting send on my proof approval email will doubtless be as anticlimatic as handing over my PhD. (‘Oh, right. It’s done. Right. Um… Well, I guess that’s it then.’)

Sometime after that I’ll be able to share the cover (probably mid-March), and some sample material (probably  2 April) and… hopefully some reviews (no idea).

I can’t wait to see what you all think. I do hope you’ll like it.

 

* English understatement. Please translate appropriately.

Frosted fir branch

Waiting

The final proofs are done (though there might be one last read-through). The review copies are being printed (I think). Next week the cover will be finalised. But right now there’s not a lot going on that I’m involved with. Since the start of December, I’ve been wading through the quiet pre-publication post-end-of-editing strange and trying not to gnash my teeth. It’s all about waiting, torn between impatience, excitement and terror… And, while I’ve never been very good at patient or waiting, I can do excitement and terror like a star so am spending much of time revved up to no purpose.

Soon we’ll have the cover reveal and I’ll get to see what people think. Soon there will be sample material available… and maybe some early reviews or at least informal feedback on the reception of the ARCs (advance review copies or bound proofs, as Faber tends to call them). Soon I’ll be having a meeting to plan the promotions and publicity work and after that there will be dates in the diary about events and activities and all sorts of things…

But right now it’s all very quiet. It’s less than 4 months now till TBD is published and it feels very strange not to be rushing about like a headless chicken trying to help the book find an audience… but I see the reasoning about how important timing is. Apparently things need to happen 6-8 weeks in advance tops because otherwise there’s such a lot of time between getting people’s attention and the book actually being available to them that it’s largely wasted effort. After all, I’m a debut author. No one knows if they’ll like my work yet so drawing out any anticipation that can be raised is unlikely to be productive. I see that… but it’s so strange for everything to have gone quiet.

I may soon wish for a little bit of the quiet back though, so I’m trying not to wish it away. After all, there are two other books to fill it with…

For now… Happy New Year!

Rosehips

ARCs, author’s notes and further research

The thing I’m learning about getting published is that it’s either dead-quiet or manic. There’s not much in-between.

This week the Advanced Review Copies are being printed. Apparently these are taken from the first set of corrected proofs, so I still have second proof queries to look at pre-Christmas. In the meantime, I’ve been asked to write a note for the bound proofs and am finding it surprisingly difficult. This is partly because there’s already an author’s note at the end of the book and I’m not entirely clear what I should say that’s different at the front. But I’ve had a go and produced two very different versions. One is a chatty, direct-to-the-reader thank you, plus potted history of the book. The other is a more formal bio-note.

The note at the end, by contrast, includes an aside about how knowing the common and Latin names of a particular plant changes the meaning of a key scene, some hints at how I came to write the book, and many, many thank yous. Never stint on the thank yous. A long list is something you should want to share because it demonstrates how generous people – including complete strangers – often are with their time and support when you say you’re writing a book. I’ve been very, very lucky, but I expect other writers are too. We need to flag this up as a happy reminder of how nice people are. Many are very willing to pause in their busy lives to help a writer, even though much of this kindness languishes in unpublished manuscripts or dusty, dog-earred notes. If you do get published, this gives you a chance to say how much you appreciated the kindness: make sure you take it. Readers shouldn’t be bored by thank yous. They’re the equivalent of the missing ‘happy stories’ on the news: evidence of people being good to each other.

The other thing I’m working on this week is filling out Faber’s publicity questionnaire. This is another thing I’m finding surprisingly difficult. But I’ll just have to give it my best shot and then ask the wonderful Laura from Faber’s publicity team to put me right if I’m wrong!

Finally, even though the book is now done and dusted, when given an opportunity to do some new research, I jumped at it. In the final stages of editing the book, I had to tweak the timeline of Evie’s adoption. I was fairly confident after the work, but regretted not having the time to do a little more research to be absolutely sure. So it was great to have an opportunty this weekend to chat to the most lovely, amazing foster parents about their experiences, how long various things take, and what the different stages in the process are. The book doesn’t deal with the detail of the adoption process – the necessary training and courses, the various stages of meetings and panels, and so forth – but it’s good to cement my understanding about these things so, if anyone asks, I can explain why I haven’t discussed certain things. I wouldn’t change anything in the book after this new research even if I could, but that’s why it was so useful: I’m now much more confident in what I’ve written and the choices I’ve made.

So, next steps… more thinking about publicity. I’m really looking forward to the one-to-one aspects of that: a professional excuse to spend LOADS of time talking to people, in person and online, about books and writing. It’s going to be such a hardship. <g>

TBD draft cover

The Bone Dragon to be published 4 April 2013

Just confirmed with Faber that the publication date for The Bone Dragon has just been moved up to 4 April 2013! So excited… and now not quite so long to wait!

Pre-order now from Amazon, Waterstones and WHSmith. Currently on offer at Amazon and Waterstones, so grab a hardback for a fantastic price while you can!

BTW, book is actually 300 pages, not 240 – shortly to be updated on the relevant sites – so it is a full length novel!