ARC

snow around a frozen pond in a wood

The definitive proof

On Thursday afternoon, The Bone Dragon is going to be ready for publication. This might seen a long time in advance since it won’t be released until 2 May, but in the interrim it needs to be printed and distributed… and there may even be ARCs going out.

I have now learned that bound review copies are not the same as ARCs (advance review copies). Or not necessarily.  I’m still a bit shaky on the terminology but I think bound review copies and bound proofs are basically the same thing in everyone’s books (or should I say ‘for all books’?). They’re copies of a book that are produced from a relatively early proof. They’re printed and bound  like a book, but usually with a different cover to make sure that they’re not confused with the final publication version when it comes out. ARCs, on the other hand, are just copies of the book-as-published-for-sale (i.e. they’re printed from the final proof). Thething that makes them ARCs is that they’re sent out to people before the official publication date: they’re not actually different in any way from the books people buy off the shelves after the publication date.

So… the bound review copies have now been sent out. I am getting twitchy waiting for mine to arrive.

Meanwhile, the final proof – the definitive version of the book – will be done by next Thursday afternoon. It should include the final version of the cover (which I’ve yet to see). I’m just slightly excited*, though I know hitting send on my proof approval email will doubtless be as anticlimatic as handing over my PhD. (‘Oh, right. It’s done. Right. Um… Well, I guess that’s it then.’)

Sometime after that I’ll be able to share the cover (probably mid-March), and some sample material (probably  2 April) and… hopefully some reviews (no idea).

I can’t wait to see what you all think. I do hope you’ll like it.

 

* English understatement. Please translate appropriately.

Advertisements
Frosted fir branch

Waiting

The final proofs are done (though there might be one last read-through). The review copies are being printed (I think). Next week the cover will be finalised. But right now there’s not a lot going on that I’m involved with. Since the start of December, I’ve been wading through the quiet pre-publication post-end-of-editing strange and trying not to gnash my teeth. It’s all about waiting, torn between impatience, excitement and terror… And, while I’ve never been very good at patient or waiting, I can do excitement and terror like a star so am spending much of time revved up to no purpose.

Soon we’ll have the cover reveal and I’ll get to see what people think. Soon there will be sample material available… and maybe some early reviews or at least informal feedback on the reception of the ARCs (advance review copies or bound proofs, as Faber tends to call them). Soon I’ll be having a meeting to plan the promotions and publicity work and after that there will be dates in the diary about events and activities and all sorts of things…

But right now it’s all very quiet. It’s less than 4 months now till TBD is published and it feels very strange not to be rushing about like a headless chicken trying to help the book find an audience… but I see the reasoning about how important timing is. Apparently things need to happen 6-8 weeks in advance tops because otherwise there’s such a lot of time between getting people’s attention and the book actually being available to them that it’s largely wasted effort. After all, I’m a debut author. No one knows if they’ll like my work yet so drawing out any anticipation that can be raised is unlikely to be productive. I see that… but it’s so strange for everything to have gone quiet.

I may soon wish for a little bit of the quiet back though, so I’m trying not to wish it away. After all, there are two other books to fill it with…

For now… Happy New Year!

Rosehips

ARCs, author’s notes and further research

The thing I’m learning about getting published is that it’s either dead-quiet or manic. There’s not much in-between.

This week the Advanced Review Copies are being printed. Apparently these are taken from the first set of corrected proofs, so I still have second proof queries to look at pre-Christmas. In the meantime, I’ve been asked to write a note for the bound proofs and am finding it surprisingly difficult. This is partly because there’s already an author’s note at the end of the book and I’m not entirely clear what I should say that’s different at the front. But I’ve had a go and produced two very different versions. One is a chatty, direct-to-the-reader thank you, plus potted history of the book. The other is a more formal bio-note.

The note at the end, by contrast, includes an aside about how knowing the common and Latin names of a particular plant changes the meaning of a key scene, some hints at how I came to write the book, and many, many thank yous. Never stint on the thank yous. A long list is something you should want to share because it demonstrates how generous people – including complete strangers – often are with their time and support when you say you’re writing a book. I’ve been very, very lucky, but I expect other writers are too. We need to flag this up as a happy reminder of how nice people are. Many are very willing to pause in their busy lives to help a writer, even though much of this kindness languishes in unpublished manuscripts or dusty, dog-earred notes. If you do get published, this gives you a chance to say how much you appreciated the kindness: make sure you take it. Readers shouldn’t be bored by thank yous. They’re the equivalent of the missing ‘happy stories’ on the news: evidence of people being good to each other.

The other thing I’m working on this week is filling out Faber’s publicity questionnaire. This is another thing I’m finding surprisingly difficult. But I’ll just have to give it my best shot and then ask the wonderful Laura from Faber’s publicity team to put me right if I’m wrong!

Finally, even though the book is now done and dusted, when given an opportunity to do some new research, I jumped at it. In the final stages of editing the book, I had to tweak the timeline of Evie’s adoption. I was fairly confident after the work, but regretted not having the time to do a little more research to be absolutely sure. So it was great to have an opportunty this weekend to chat to the most lovely, amazing foster parents about their experiences, how long various things take, and what the different stages in the process are. The book doesn’t deal with the detail of the adoption process – the necessary training and courses, the various stages of meetings and panels, and so forth – but it’s good to cement my understanding about these things so, if anyone asks, I can explain why I haven’t discussed certain things. I wouldn’t change anything in the book after this new research even if I could, but that’s why it was so useful: I’m now much more confident in what I’ve written and the choices I’ve made.

So, next steps… more thinking about publicity. I’m really looking forward to the one-to-one aspects of that: a professional excuse to spend LOADS of time talking to people, in person and online, about books and writing. It’s going to be such a hardship. <g>